Iago Cane
A home he owns, not a profile he rents.
Iago Cane is a rapper working between Mexico City and San Antonio, and he owns his catalog and his masters. He didn’t want another profile on someone else’s platform. He wanted one place for his music, videos, photos, press and merch, built on code that belongs to him.
What we built
- A living background. A marble texture drawn live on the graphics card, with his crimson running through the veins. It stays put as you move between pages, so nothing flashes or reloads.
- His music, up front. The current single, with links to every streaming service.
- An EP launch. A section built for Bless The Mourning, with its promo video in its own 4:5 player.
- Every video in one place, sorted into official videos, freestyles, live sets and interviews.
- An editorial gallery: 20 photographs in an alternating layout, with a full-screen viewer you can step through with the arrow keys.
- A press kit for bookers and press: bio, the facts at a glance, videos, press features and a booking contact.
- A merch store with its own colour, size and front-and-back views, built for his two shirts.
- Analytics on what fans actually do: which streaming service they pick, what merch they look at, which photos they open, and who reaches for booking.
- Found and shared properly: a title and description for every page, share cards, and structured data that tells search engines who the artist is.
How it looks
Brutalist meets minimalist. The type carries the structure: a heading is the section, not a label on top of one. Nothing has a hard edge; every panel fades into the marble.
How it sounds
Every word came from him: his own captions and his own channel description, not lines we wrote for him.
Built with
Next.js, WebGL, and its own server, so the code is the artist’s.
